In this week’s Artist’s Q&A video, the question is: How do I choose colors when I start a new painting? I hope you enjoy the video!
14
Nov
2022
Acquiring a new piece of art can be exciting but it can also be a bit challenging as there are so many things to consider such as different styles, and color coordination with your existing decor, not to mention your budget. However, it’s also easy to overlook the importance of considering the size of a piece of artwork for your living space.
Too small artwork can make a room feel “off”, and too large can make a room feel overcrowded.
Too large of a canvas and your room can feel a bit crowded, while too small can make a room feel “off”. Artwork with the right dimensions and orientation can really tie a room together. If you’re ready to buy but unsure where to start, I’ve put together a few simple guidelines to get you going in the right direction.
Orientation
If you have a narrow strip of wall space between two windows, between two doors, or between a window and a corner or a doorway and a corner that yearns for something other than wall paint on it, consider a portrait-oriented (vertical) artwork. This will create a sense of height in the room.
After the Rain I (24×36”)
If you have a broader, vast, wall space to hang a piece, then either go for a landscape-oriented (horizontal) artwork or a series of portrait-oriented artworks hung next to each other that work together. This will fill the field of view.
Sunflowers Triptych I (16×40”, 30×40”, 16×40”)
Size
When determining the size of a piece of art to hang, aim for a piece that fills two-thirds (0.666) to three-fourths (0.75) of the available wall space. The same proportions apply when hanging your artwork over furniture such as a dresser, a sofa, or a headboard but you will be using your furniture more as your guide for sizing the artwork. Look for artwork with a width that is two-thirds to three-fourths the width of the furniture. For instance, if your sofa is 80 inches wide, try to find a work approximately 53-60 inches wide.
Music in My Dreams (48×24”)
One large piece of art isn’t always feasible or within the budget. For larger wall spaces you can hang a series of artworks side by side using the same width allotment you would’ve used for a larger piece. Just add up the width of each artwork and the space needed between them and make sure it still equals the necessary two-thirds to three-fourths width of space you are aiming for.
Hidden Treasures I & II (20×24” each)
Placement
Generally, artworks are hung at eye level with the “center” of the piece approximately 65-70 inches above the floor. When hanging artwork above a dresser, sofa, or headboard, it’s best to leave 6-12 inches between the bottom of the artwork and the top of the furniture. Heat can destroy artworks over time so I do not recommend hanging a valuable piece over a fireplace, however, I would recommend hanging a mirror or some other form of decoration 4-6 inches over a fireplace mantel for the best look.
Chaos I (36×24”)
So now that you have a better idea about size, orientation, and placement to go with your existing ideas of colors, styles, and budget, it’s time to go buy some artwork for those walls! Keep in mind these are just guidelines to help make your rooms look balanced. If you’re slightly off with measurements but the artwork really speaks to you, go for it and make it work for you!
Each year, we decorate our homes and offices during a season or holiday with festive decorations to celebrate that season or holiday. It’s nice to see our environment in a different light every once in a while. It’s fun and creates excitement. However, it’s not the only way to shake up the monotony of our everyday surroundings. It’s also good practice to rotate your wall art in each room every once in a while to create a new, refreshing look.
While rotating your artwork can include incorporating new artwork into your art collection, it does not necessarily mean entirely getting rid of old artwork. It simply means moving pieces around, possibly into different rooms with a different combination of pieces. It could mean storing a piece temporarily for a season or two while something new hangs in its place. Or, yes, it really could mean retiring an artwork entirely.
The point is to refresh a space that has looked the same for a period of time, change has to occur, and rotating artwork within your home or office space may be something that you never thought about before. It also gets rid of the excuse that you can’t buy new art because you don’t have the wall space for it.
About two years ago, I was working at a real estate development company as a paralegal with a team of about approximately eight (8) attorneys and another paralegal and I sat next to and was friends with the company owners’ executive assistant. At the end of the year, there was generally a gift swap game that we played at work for the holidays but I was feeling generous and wanted to show my team my appreciation for being such awesome people to work with. So at the end of the summer, I racked my brain for gift ideas that would be personal for each of them and that would impart a little bit of my other life, some of my creative talents.
Early Desk Art
I was painting a lot of general-sized paintings that year and it hit me – I could paint them each a painting! But then I thought it would take me a great deal of time to paint a regular-sized painting for each person on my team (plus I wanted to include the company owners…) Then I had an epiphany. I could paint smaller paintings for their office walls. But again, not everyone on my team had an office or even office walls to hang a painting on. That’s when I thought about small easels and making them paintings for the desk instead. What a unique gift this was shaping up to be!
Above image from top left clockwise: The main attorney I worked with loved golf, so I created a mini painting of a golf club about to hit a golf ball into a hole on a nice sunset background for him. One of my favorite attorneys to work with was just everything to me: a mentor, a boss, a colleague, an entertainer (he was always making me laugh), a counselor, and a friend so I painted “He Who Wears Many Hats” for him. I had learned that the female attorney on our team had a secret talent learning to play piano, so I created a painting of curvy piano keys on an abstract and incorporated notes on paper for a mixed media touch. Our construction attorney had just bought a Peloton and while I didn’t know all that much else about him, I thought about those crazy bicycles from the 1800s and painted him “The 1871 Peloton”. I caught the owners’ executive assistant constantly printing recipes on our shared printer so I thought about making her a painting revolving around food, called “Cooking Italian I”. Our litigation attorney was constantly traveling someplace around the world so I thought painting him a mani painting incorporating travel icons would be appropriate and it was called, “Where Next?” There were others but these were some of my favorites.
Current Desk Art Pieces (some sold)
The following year, I started creating more desk art as after presenting the paintings to my team in a group setting – they seemed to be a big hit and I felt that adding a little unique decor to someone’s desk could really be that one thing that makes someone’s bad day better, or is an escape, or even a conversational piece while sitting at one’s desk at work.
I had the opportunity to sell my work at a small store downstairs from where I live last year in November and thought table and desk art would not only make table decorations for the holidays (my holiday desk/table art) but also super unique gifts to give any time of the year so I started thinking of every possible thing I could paint on a 5×7” or 6×8” canvas that might embody a person’s interests to make the gifts personal. Some of the works I went mixed media on for a three-dimensional effect. Again, they were a hit.
Store Window with my Table/Desk Art for Sale Last Year
One night very late, I happened to be taking my trash out and noticed an older gentleman standing at the window of the shop looking at my artwork through the window after hours. Without telling him right away that I was the artist, he started going on and on about the ideas, the uniqueness, that they were all “really amazing”. When I admitted they were my work, we ended up standing there talking for about an hour, about the technique, the thought process behind them, how I came up with the ideas, etc. He told me to keep doing what I was doing and commended me for the work.
This is why I create. I love meeting people and getting feedback on my work. I love the reactions I get to something I create. I love putting the beauty of art into the world. Even if it’s not on a wall, but only on someone’s desk.
Artists sometimes face an interlude in creating new art or continuing existing works due to a “creative block”. They may find it difficult to conjure up a new idea or finish an artwork they’ve already started. As an artist, you may feel like you’ve painted everything you enjoy painting or you’re not even motivated to pick up your paintbrush anymore because you’re fresh out of ideas on what to paint.
Mixing real life with canvas.
When this happens, it can feel like the end of your world (or at the very least, your art career), but there is actually is hope! Below are 10 tips that have worked for me in the past to help overcome a creative block and to help get you back on track to create new and more amazing artworks.
A few recommended art project books.
A few book examples are:
My photograph of the pelican on the pier (left) and my drawing from that photograph (right).
Even if you feel like you’re not much of a photographer, attempting to draw or paint a still object or scene from a photograph is a great way to try to beat a creative block.
My photograph of a scene in Eze, France (left) and my drawing from that photograph (right).
Flirting with other art mediums can not only assist in getting the creative juices flowing again, but you may find you like practicing in a new type of art!
Incorporating actual guitar parts onto the canvas for a 3-D feel.
An art journal can be a great tool and record to save you when you go through those times of a creative block.
An art journal can serve as a record of your thoughts and ideas – something you can refer back to during those times when you might have a creative block.
I recently had an explosion of creativity over the last 18 months and an urge to get it all out on canvas, however, I was painting faster than I had been selling my work. Living in a small one-bedroom apartment just outside New York City, I had to find a solution for storing my work until it sold so I rented a public storage unit.
One may gasp at the thought of placing your valuable art in a potentially hazardous space where it could not only be stolen but suffer from mold, mildew, or rodent damage. However, there are many precautions that can be taken to help ensure your precious works of art do not fall victim to these circumstances. In this article, I will provide you with some of the best practices for safely preparing artwork for storage until it’s sold.
Preparing the Artwork
First, I typically like to make sure my art is ready to hang for the customer, so I will make sure that I have added the screw eyes to the back of the canvas and threaded the artwork with wire to make this possible.
Next, I’ll wrap the artwork in glassine paper and use either a white gaffer tape or masking tape to secure the closure of the wrapping. I don’t use saran wrap or bubble wrap because plastics can invite moisture under the right temperatures, which can lead to mold and mildew.
Packing the Artwork
While I’m all about recycling, I recommend using new boxes for storing valuable artwork instead of recycled boxes. My reasoning for this is that boxes that have already been used for things such as shipping have experienced the elements of the outdoors which can cause mold and mildew. For instance, a box may have sat on a semi-moist doorstep and then dried 99%, have had little ants crawled into the crevices of the corrugated cardboard, or the box itself may be worn, slightly dirty – any of these things could be potentially hazardous. Do you really want to take a risk?
At the same time, I’ll use fresh packing paper to pack the artwork in the box securely so it doesn’t slide around during transit or during shipping once I sell it since I don’t plan to open the package again. Again, I don’t use bubble wrap or plastics because those can invite mold and mildew under the right temperatures.
Once I’ve sealed the box closed, I’ll affix a label to three different sides of the box that includes a photo of the artwork as well as the inventory number, title, dimensions, and medium of the artwork. I affix a label to three sides of the box as, while I’m very organized, plans may change once I get the artwork to the storage unit and I’m not entirely sure how I will set up my box layout once I get there. I want to make sure that my label on each box is visible so that I can easily retrieve any piece of art once I sell it instead of having to move boxes around to find what I need.
The Storage Unit
First of all, get insurance. Most storage rental spaces will only offer insurance up to $5,000 or less for a fee per month, which for many of us, is useless. Check with your renter’s or homeowner’s insurance company to add the value of your artwork you are storing in storage to your policy (yes, this is possible). You’ll be surprised that it may only raise your premium by $5-10/month (if anything at all) depending on the value of your artwork.
Second, make sure your artwork is stored in a climate-controlled storage unit. If not, you invite humidity in the summers and cold dampness in the winters and everything else in between.
Next, inspect the storage facility before renting and ask about pest control services. Do they exterminate regularly? You don’t want rodents making a home in your boxed artwork.
Last, most insurance policies do not protect against mold or mildew so your best defense for these are the steps I’ve provided above plus depending on the size of your storage unit, including a moisture absorber product or two (some storage rental places sell these) and changing them out every six months or as directed on the package.
Keep an inventory of the artwork you have in storage not only for business purposes but for insurance purposes.
I hope this article was useful to artists out there who have wondered how to store their artwork. Feel free to leave a comment below if you’d like to add anything or have a question.
My recent triptych painting, “Owl in the Moonlight I”, was a fun painting to create. I love the owl and wanted to do something fun with it so considering October is soon approaching, I thought something a little eerie would be appropriate. I started with the moon and worked my way out in layers of color until I got to black as I let the moon illuminate some of the skies along the way.
Keeping the three canvases together throughout the painting process, next, I toned down the moon a bit and gave it a little dimension with some gold tones and blended the skies a little more. Once the skies dried, I added the spooky, bare tree silhouettes and applied a little bit of charcoal gray color where the moonlight would naturally hit and illuminate the trees to give the trees a little bit of a three-dimensional feel.
The next step before any last painting touchups for me was painting in the owl on the tree branch. Although he is mostly a silhouette, I fanned a tiny bit of charcoal gray under his neck and at the tips of his wings just to give a little bit of depth to the bird.
For a fun touch to the painting, I affixed little white gems to the canvas where what the stars would be located so that the painting would have a little sparkle when a person walks by it. The last step is deciding if the painting is done and if it is, signing it.
Viola!
I love sunflowers. There’s just something about their round shape and bright yellow color that screams “happy!” So for my next triptych, I’m using sunflowers as my inspiration upon a deep violet, crimson, unbleached titanium, and parchment colored background. You can see the finished result on the Sunflowers Triptych I page.
A creator’s mess is not really a mess for the creator but can sometimes look like one to the outsider looking in. I sometimes use my coffee table to paint on rather than an easel when I feel like painting on a flat surface. I pull up my paints, paint mediums, and paintbrushes and it’s off to the races! Here I’m working on Cherry Blossoms Before Twilight I.
Choosing colors for my next painting… the color choices are endless – where do I begin? If I have a particular subject in mind, it becomes very simple as I’m just choosing colors that fit the subject I want to paint, however, when I’m painting abstracts, my mood usually dictates the main color I choose to work with and then I either select like colors or complementary colors to supplement the work. I sometimes dump my entire two boxes of paints onto the floor to weed through to make that decision!