This week, in my Artwork Insights video, I discuss how I sometimes paint from my photography and I have two examples that I will share with you. I hope you enjoy the video!
31
May
2024
My recent triptych painting, “Owl in the Moonlight I”, was a fun painting to create. I love the owl and wanted to do something fun with it so considering October is soon approaching, I thought something a little eerie would be appropriate. I started with the moon and worked my way out in layers of color until I got to black as I let the moon illuminate some of the skies along the way.
Keeping the three canvases together throughout the painting process, next, I toned down the moon a bit and gave it a little dimension with some gold tones and blended the skies a little more. Once the skies dried, I added the spooky, bare tree silhouettes and applied a little bit of charcoal gray color where the moonlight would naturally hit and illuminate the trees to give the trees a little bit of a three-dimensional feel.
The next step before any last painting touchups for me was painting in the owl on the tree branch. Although he is mostly a silhouette, I fanned a tiny bit of charcoal gray under his neck and at the tips of his wings just to give a little bit of depth to the bird.
For a fun touch to the painting, I affixed little white gems to the canvas where what the stars would be located so that the painting would have a little sparkle when a person walks by it. The last step is deciding if the painting is done and if it is, signing it.
Viola!
I love sunflowers. There’s just something about their round shape and bright yellow color that screams “happy!” So for my next triptych, I’m using sunflowers as my inspiration upon a deep violet, crimson, unbleached titanium, and parchment colored background. You can see the finished result on the Sunflowers Triptych I page.
A creator’s mess is not really a mess for the creator but can sometimes look like one to the outsider looking in. I sometimes use my coffee table to paint on rather than an easel when I feel like painting on a flat surface. I pull up my paints, paint mediums, and paintbrushes and it’s off to the races! Here I’m working on Cherry Blossoms Before Twilight I.
Choosing colors for my next painting… the color choices are endless – where do I begin? If I have a particular subject in mind, it becomes very simple as I’m just choosing colors that fit the subject I want to paint, however, when I’m painting abstracts, my mood usually dictates the main color I choose to work with and then I either select like colors or complementary colors to supplement the work. I sometimes dump my entire two boxes of paints onto the floor to weed through to make that decision!